Submissions from 1993
Opening the Oyster: Pearls in Pearl, Maud Burnett McInerney
Jones, Ron Silliman
Delicate Subjects: Romanticism, Gender, and the Ethics of Understanding, Christina Zwarg
Foot-noting the Sublime: Margaret Fuller on Black Hawk's Trail, Christina Zwarg
Reading before Marx: Margaret Fuller and the New-York daily tribune, Christina Zwarg
Woman as Force in Twain's "Joan of Arc:" The Unwordable Fascination, Christina Zwarg
Submissions from 1992
Being there: performance as mise-en-scene, abscene, obscene, and other scene, Kimberly W. Benston
Introduction: Being There: Performance as Mise-en-Scène, Abscene, Obscene, and Other Scene, Kimberly W. Benston
Locating Adrienne Kennedy: prefacing the subject, Kimberly W. Benston
Performance, Kimberly W. Benston
AIDS, Stigma, and Narratives of Containment, Julia J. Epstein
Historiography, diagnosis, and poetics, Julia J. Epstein
Chaucer and the Fictions of Gender, Elaine Tuttle Hansen
Multiculturalism and the Protocols of the New World Order, Rajeswari Mohan
Review of Stanley Aronowitz and Henry Giroux's Postmodern Education, Rajeswari Mohan
Fable in Harmonium's 'Adult Make-Believe', James C. Ransom
Demo to Ink, Ron Silliman
Toner, Ron Silliman
Nature's Covenant: Figures of Landscape in Ruskin, Finley C. Stephen
Submissions from 1991
Bernard Malamud, John Ashmead
Words, music and emotion in the love songs of Robert Burns, John Ashmead and John Davison
Reweaving the 'Ulysses scene': enchantment, post-Oedipal identity, and the buried text of blackness in Toni Morrison's Song of Solomon, Kimberly W. Benston
Burney Criticism: Family Romance, Psychobiography, and Social History, Julia J. Epstein
Mothers tomorrow and mothers yesterday, but never mothers today : women on the edge of time and The Handmaid's Tale, Elaine Tuttle Hansen
Leningrad, Ron Silliman
Submissions from 1990
Facing tradition: revisionary scenes in African-American literature, Kimberly W. Benston
Traces of the other scene: the photography of David Miller, Kimberly W. Benston
Fearing for Chaucer's good name, Elaine Tuttle Hansen
Manifest, Ron Silliman
Combat rock, Gustavus Stadler
Criticism and prophecy, Finley C. Stephen
Endeles Knot': Closure and Indeterminacy in Sir Gawain and the Green Knight, Finley C. Stephen
Newman, the Snapdragon, and Natural Theology, Finley C. Stephen
Feminism in Translation: Margaret Fuller's Tasso, Christina Zwarg
Womanizing Margaret Fuller: Theorizing a Lover's Discourse, Christina Zwarg
Submissions from 1989
Performing blackness: re/placing Afro-American poetry, Kimberly W. Benston
The iron pen: Frances Burney and the politics of women's writing, Julia J. Epstein
Body guards : the cultural politics of gender ambiguity, Julia J. Epstein and Kristina Staub
Death of Blanche and the life of the moral order, Elaine Tuttle Hansen
Feminization of men in Chaucer's Legend of Good Women, Elaine Tuttle Hansen
Pola of Pera, Maud Burnett McInerney
Dialogism and its Uses: A Critical Assessment of the Bakhtin School, Rajeswari Mohan
Review of Claude Lefort's The Political Forms of Modern Society, Rajeswari Mohan
Bunyan among the Victorians: Macaulay, Froude, Ruskin, Finley C. Stephen
Ruskin and mimic engineering, Finley C. Stephen
Emerson as "Mythologist" in the Memoirs of Margaret Fuller Ossoli, Christina Zwarg
Fathering and Blackface in "Uncle Tom's Cabin", Christina Zwarg
Submissions from 1988
Evelina's Deceptions: The Letter and the Spirit, Julia J. Epstein
Powers of silence: the case of the clerk's Griselda , Elaine Tuttle Hansen
Solomon Complex: Reading Wisdom in Old English Poetry, Elaine Tuttle Hansen
Wife of Bath and the Mark of Adam: Feminism as discussed in literature , Elaine Tuttle Hansen
What, Ron Silliman
Clarence and Corinne, or, God's way, Hortense J. Spillers
Moving on down the line, Hortense J. Spillers
Hermeneutic and Aporia: beyond formalism once more, Finley C. Stephen
George Henry Calvert, Christina Zwarg
Submissions from 1987
The idea of Japan, 1853-1895 : Japan as described by American and other travellers from the West, John Ashmead
Controlling the Dialectical Deacon: The Critique of Historicism in Invisible Man , Kimberly W. Benston
Speaking for You: the Vision of Ralph Ellison, Kimberly W. Benston
Lit, Ron Silliman
The New Sentence, Ron Silliman
Mama's Baby, Papa's Maybe: An American Grammar Book, Hortense J. Spillers
Ruskin, Darwin, and the crisis of natural form, Finley C. Stephen
Scott, Ruskin, and the landscape of autobiography, Finley C. Stephen
Alexander Hill Everett, Christina Zwarg
Emerson's "Scene" Before the Women: The Feminist Poetics of Paraphernalia, Christina Zwarg
Submissions from 1986
Beauty's just applause: dramatic form and the Tamburlanian sublime, Kimberly W. Benston
Fanny Burney's Epistolary Voices, Julia J. Epstein
Writing the unspeakable: Fanny Burney's mastectomy and the fictive body, Julia J. Epstein
In the American Tree, Ron Silliman
The Age of Huts, Ron Silliman
Structure of Ruskin's 'Fors Clavigera', Finley C. Stephen
Submissions from 1985
Larry Neal : A Special Issue, Kimberly W. Benston
Paradise, Ron Silliman
Submissions from 1984
The Letters of Margaret Fuller, Christina Zwarg
Submissions from 1983
ABC, Ron Silliman
Submissions from 1982
"I Yam What I Am": Naming and Unnaming in Afro-American Literature, Kimberly W. Benston
Bart, Ron Silliman
Submissions from 1981
Tjanting, Ron Silliman
Submissions from 1980
"I Wandered Lonely As a Cloud": Can We Know the Dancer fro the Dance?, Kimberly W. Benston
"The Aesthetic of Modern Black Drama: From Mimesis to Methexis.", Kimberly W. Benston
Submissions from 1979
Late Coltrane: A Re-membering of Orpheus, Kimberly W. Benston
Submissions from 1978
Baraka: A Collection of Critical Essays, Kimberly W. Benston
Ellison, Baraka, and the Faces of Tradition, Kimberly W. Benston
Imamu Amiri Baraka (Leroi Jones) : a collection of critical essays, Kimberly W. Benston
Ketjack, Ron Silliman
Sitting Up, Standing, Taking Steps, Ron Silliman
Submissions from 1977
Late Coltrane: A Re-membering of Orpheus, Kimberly W. Benston
Submissions from 1976
Baraka : the renegade and the mask, Kimberly W. Benston
Cities in Bezique : Adrienne Kennedy's Expressionistic Vision, Kimberly W. Benston
Lionel Trilling's Criticism of Life, Kimberly W. Benston
Submissions from 1975
Architectural Imagery and Unity in Paule Marshall's Brown Girl, Brownstones, Kimberly W. Benston
The Duchess of Malfi : Webster's Tragic Vision, Kimberly W. Benston
Tragic Aspects of the Blues, Kimberly W. Benston
Submissions from 1974
Nox, Ron Silliman
Submissions from 1973
Mohawk, Ron Silliman
Submissions from 1971
Class and Race in Humanities Teaching and Criticism, John Ashmead
Crow, Ron Silliman
Submissions from 1963
Teaching the Writing of Fiction, John Ashmead
Submissions from 1962
The Life of a Composition Class, John Ashmead