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Submissions from 2016

Objects in Motion: Hans Richter’s Vormittagsspuk (1928) and the Crisis of Avant-Garde Film, Brook Henkel

The Use and Abuse of Cinema: German Legacies from the Weimar Era to the Present. [Book Review], Brook Henkel

Watching the Night: Surveillance and Cross-Sectional Montage in Nikolaus Geyrhalter’s Abendland (2011), Brook Henkel

Submissions from 2014

Review of Alfred J. Drake's New Essays on the Frankfurt School of Critical Thought, Imke Brust

Motte, Brook Henkel

Intermediale Grenzgänge: Technologie, Sprache und Musik in Georges Perecs Hörspiel Die Maschine, Ulrich Schonherr

Klang-Bild-Sprache. Musikalisch-Akustische Konfigurationen in der Literatur und im Film der Gegenwart, Ulrich Schonherr

Submissions from 2013

Transnational and Gendered Dimensions of Heimat in Mo Asumang’s Roots Germania, Imke Brust

Submissions from 2011

Review of Jaimey Fisher and Barbara Mennel's Spatial Turns: Space, Place, and Mobility in German Literary and Visual Culture, Imke Brust

Spatial Turns: Space, Place, and Mobility in German Literary and Visual Culture [book review], Imke Brust

The Crisis of an Old Order: Gender, Sexual Relations, and Reproduction in Lessing's The Cleft, Imke Brust

Submissions from 2010

Review of Jill Anne Kowalik's Theology and Dehumanization, Imke Brust

Transcending Apartheid: Empathy and the Search for Redemption, Imke Brust

Out of Tune: Music, Postwar Politics, and Edgar Reitz’s “Die Zweite Heimat", Ulrich Schonherr

Submissions from 2009

The Machine (Translation), Georges Perec and Ulrich Schonherr

Submissions from 2006

Uniting through Mourning in Post-Apartheid South Africa, Imke Brust

Submissions from 2004

Adorno and Jazz: Reflections on a Failed Encounter (reprint), Ulrich Schonherr

Adorno, Tradition, and the Postmodern (reprint), Ulrich Schonherr

Als die Bilder hören lernten - Musik, Ton, Avantgardeästhetik und Geschlechterkonfiguration in Wim Wenders' 'Lisbon Story' (When the pictures learned to hear - Music, Avantgarde Aesthetics and Gender in Wim Wenders' Lisbon Story, Ulrich Schonherr

Submissions from 2003

Abzugeben in der Welt, dicht an der großen Dornenhecke, der Grenze der Vernunft - Anmerkungen zu Gert Jonkes 'Chorphantasie' (Afterword) (To be delivered in the world, hard by the tall thorn hedge, at the limit of reason: Notes on Gert Jonke's Choral Fantasy), Ulrich Schonherr

'Ich bin der Welt abhanden gekommen': Zum Ort der Musik im Erzählwerk Gert Jonkes (expanded version), Ulrich Schonherr

Submissions from 2000

Die Wiederkehr der Aura im Zeitalter technischer Reproduzierbarkeit: Musik, Literatur und Medien in Peter Handkes Versuch über die Jukebox, Ulrich Schonherr

Submissions from 1998

'Ich bin der Welt abhanden gekommen': Zum Ort der Musik im Erzählwerk Gert Jonkes, Ulrich Schonherr

Lieder, Ulrich Schonherr

Topophony of Fascism: On Marcel Beyer's 'The Karnau Tapes', Ulrich Schonherr

Submissions from 1997

Choral Music (volumes 1-5); Gartenlieder, Ulrich Schonherr

Submissions from 1995

Review of Marc A. Weiner's Undertones of Insurrection: Music, Politics, & the Social Sphere in the Modern German Narrative, Ulrich Schonherr

Social Differentiation and Romantic Art: E.T.A. Hoffmann's 'The Sanctus' and the Problem of Aesthetic Positioning in Modernity, Ulrich Schonherr

Submissions from 1994

Das Unendliche Altern der Moderne: Untersuchungen zur Romantrilogie Gert Jonkes, Ulrich Schonherr

Submissions from 1991

Adorno and Jazz: Reflections on a Failed Encounter, Ulrich Schonherr

Review of Rolf Gunter Renner's Die postmoderne Konstellation. Theorie, Text und Kunst im Ausgang der Moderne, Ulrich Schonherr

Marginalia on Mahler, Ulrich Schonherr and David Pan

Submissions from 1989

Adorno, Ritter Gluck, and the Tradition of the Postmodern, Ulrich Schonherr

Submissions from 1988

Vom Affen zur Maschine: Kafkas Erzählung 'Bericht für eine Akademie' im Spiegel der Machttheorien von Hegel und Foucault, Ulrich Schonherr