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Submissions from 2006

Meditation (Glocken), Ingrid Arauco

Clément Janequin, Pierre Attaingnant, and the Changing Image of French Music, ca. 1540, Richard Freedman

France, i, 1520-60, Richard Freedman

Review of Jean Guyot de Chatelet's Chansons, Richard Freedman

Review of Kate van Orden's Music, Discipline, and Arms in Early Modern France, Richard Freedman

Sonnettina, Heidi Jacob

Submissions from 2005

Florescence, Ingrid Arauco

Ritorno, Ingrid Arauco

Three for Two, Ingrid Arauco

Review of Honey Meconi's Pierre de la Rue and Musical Life at the Habsburg-Burgundian Court, Richard Freedman

Review of Robert Weeda's "L’Eglise des français” de Strasbourg (1538-1563), Richard Freedman

The Starry Messenger, Heidi Jacob

Sonatas of John Davison, Heidi Jacob and Charles Abramovic

The Spirit Moves in Marvelous Ways - Ode to Ellington, Thomas Lloyd

Voices in Exile – The Choral Music of Jean Berger and Hans Gál, Thomas Lloyd

Submissions from 2004

Dreamdances, Ingrid Arauco

Triptych for solo piano , Ingrid Arauco, Curt Cacioppo, Marino Baratello, and Joseph Hudson

Millennium Crossings, Curt Cacioppo, Ingrid Arauco, Marino Baratello, and Joseph Hudson

Cello and Piano Sonatas, John Davison and Heidi Jacob

More than Mozart: Listening to and Appreciating Classical Music; Portable Professor Series, Richard Freedman

Review of Christelle Cazaux's La Musique à la cour de François, Richard Freedman

Review of Robert Weeda's Le Psautier de Calvin., Richard Freedman

Curt Cacioppo's Oboe Concerto, Heidi Jacob

Leaves of Grass / Ode to America, Thomas Lloyd

Shout All Over God's Heaven!: How the African-American Spiritual Has Maintained Its Integrity in the Face of Social and Musical Challenges, Thomas Lloyd

The Wishing Tree – The Choral Music of Robert Maggio, Thomas Lloyd

Submissions from 2003

Fantasy-Quartet, Ingrid Arauco

Trio, Ingrid Arauco

Le Jeune's Dodecacorde as a site for spiritual meanings, Richard Freedman

Music Books as Sites of Spiritual Meaning: Claude Le Jeune's Dodecacorde, Richard Freedman

Review of Christelle Cazaux's La Musique à la cour de François, Richard Freedman

Alternative Images for Helping Singers Connect to Their Breath Support in Warmups: "Drawing-in the Tone" and "Breathless Breaths", Thomas Lloyd

Immensity Cloistered in Thy Dear Womb, Thomas Lloyd

Submissions from 2002

Jasper for solo oboe, Ingrid Arauco

Trio for oboe, violin, and piano, Ingrid Arauco

Concerto for oboe and string chamber orchestra with harpsichord, Curt Cacioppo

Fantasies, Curt Cacioppo

Moonslayer, Curt Cacioppo

Wolf, Curt Cacioppo

Review of Fiona Kisby's Music and Musicians in Renaissance Cities and Towns, Richard Freedman

Review of Hubert Waelrant's Liber Sextus Sacrarum Cantionum, Richard Freedman

Review of Orlando di Lasso's Seine Werke in zeitgenössischen Drucken, 1555-1687, Richard Freedman

Review of Orlando di Lasso's The Complete Motets, Richard Freedman

Review of Richard Sherr's Four-Voice Motets from the Motetti del fiore Series, Richard Freedman

Review of Rudolph di Lasso's Virginalia Eucharistica (1615), Richard Freedman

New Music for Oboe, Heidi Jacob, Ingrid Arauco, and Curt Cacioppo

Submissions from 2001

Fantasy-quartet, Ingrid Arauco

Italy 2001: Southern Splendor, Curt Cacioppo

Chansons of Orlando di Lasso and their Protestant Listeners: Music, Piety, and Print in Sixteenth-Century France, Richard Freedman

Le Jeune in perspective: Journees Claude Le Jeune, Chateau de Chambord, 19-22 October 2000., Richard Freedman

Paris, 1450-1600; Chanson, 1520-1600; Nancy; Clément Janequin; Pierre Certon; Vers Mesurée; Mathieu Lasson; Jean Mureau; Pierre Moulu; Pierrequin de Thérache; Eustache du Caurroy; Garnier; Michel Ferrier; Théodore de Bèze; Pierre Vallete; Denis Caignet; Jean Servin; François Gindron; Theodor Evertz; Richard Crassot; Claude Goudimel; Eustache Du Caurroy, Richard Freedman

Review of Isabelle His's Claude Le Jeune, Richard Freedman

Review of Jeanice Brooks's Courtly Song in Late Sixteenth-Century France, Richard Freedman

Review of Richard Sherr's The Sixteenth-Century Motet, Richard Freedman

Thomas Crecquillon and The Musical Dialogue in the Chansonniers of Nicholas Du Chemin, Richard Freedman

The distant native voice...America's other musical heritage, Heidi Jacob

Submissions from 2000

Review of Pierre de Villiers's Chansons, Richard Freedman

The Chansons of Claude Goudimel in the Publications of Nicholas Du Chemin, Richard Freedman

Submissions from 1999

Review of Eloy d'Emerval's Missa Dixerunt discipuli, Richard Freedman

The Music of Clément Janequin in the Chansonniers of Nicholas Du Chemin, Richard Freedman

When the Orchestra Arrives, Thomas Lloyd

Submissions from 1998

Lassus chansons and their Protestant listeners in the late sixteenth century, Richard Freedman

Review of Jean de Castro's Chansons, odes, et sonetz de Pierre Ronsard, Richard Freedman

Words and Tones in Du Chemin’s Sixiesme Livre, Richard Freedman

Notes from Philadelphia, Heidi Jacob

Submissions from 1997

Le Cardinal Jean de Lorraine: un Prélat de la Renaissance Mécène de la Musique, Richard Freedman

Nicolas Du Chemin's Quart livre of 1550 and its Musical Contents, Richard Freedman

Practical and Theoretical Aspects of the Du Chemin Chansonniers of ca. 1550, Richard Freedman

Submissions from 1996

Nicolas Du Chemin's Tiers livre of 1550 and its Musical Contents, Richard Freedman

Review of Jean Maillard's Modulorum Ioannis Maillardi, Richard Freedman

Am I Being Followed? Finding the Elusive Connection Between Conductor and Ensemble, Thomas Lloyd

Am I being followed? Finding the ultimate dynamic between conductor and ensemble, Thomas Lloyd

Submissions from 1995

Nayénezgani: (Monsterslayer) for String Quartet, Curt Cacioppo

Luca Marenzio's Madrigali a quattro, cinque et sei voci of 1588: A Newly-Revealed Madrigal Cycle and its Intellectual Context, Richard Freedman

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Marenzio's Madrigali a quattro, cinque et sei voci of 1588: a newly-revealed madrigal cycle and its intellectual context, Richard Freedman

Review of Claude Le Jeune's Dodecacorde, Comprising Twelve Psalms of David Set to Music According to the Twelve Modes, Richard Freedman

Submissions from 1994

Claude le Jeune, Adrian Willaert and the art of musical translation, Richard Freedman

Claude Le Jeune; Mathieu Lasson, Richard Freedman

Divins accords: the Lassus chansons and their Protestant readers of the late sixteenth century, Richard Freedman

Nicolas Du Chemin's Premier livre of 1550 and its Musical Contents, Richard Freedman

Review of Anonymous Chansons Published by Pierre Attaingnant, Richard Freedman

Review of Máire Egan-Buffet's Les Chansons de Claude Goudimel, Richard Freedman

Submissions from 1993

Fingering, Curt Cacioppo, Margaret W. Palmieri, and Robert Palmieri

Survey of Piano Technic , Curt Cacioppo, Margaret W. Palmieri, and Robert Palmieri

Du Chemin's Second livre of 1549 and the Commerce of the French Chanson, Richard Freedman

Review of Frank Dobbins's Music in Renaissance Lyons, Richard Freedman

Wagner's "hour of need": the development of musical narrative in Logengrin and Die Walkure, Richard Freedman

Albumleaf, Heidi Jacob

Chamber music by Ernesto Pellegrini, Michael Zak, Marilyn Costello, and Heidi Jacob

Submissions from 1992

Methods of translation in Bartok's twenty Hungarian folksongs, Ingrid Arauco

Fantasy-Refrain: (1991) : for Piano Solo, Curt Cacioppo

Harmonic behavior in 'The Rite of Spring', Curt Cacioppo

Native American resonances in contemporary concert music, Curt Cacioppo

Submissions from 1991

Canzona & Reel/Jig : Four Flutes, John Davison

Words, music and emotion in the love songs of Robert Burns, John Davison and John Ashmead

Pastourelle jolie: the chanson at the court of Lorraine, c. 1500, Richard Freedman

Submissions from 1990

Review of Jonathan D. Kramer's The Time of Music, Ingrid Arauco

Poem to music: Schumann's Mondnacht setting, Curt Cacioppo

Snake Dance, Curt Cacioppo

Sonata a Quattro: for Trombone Quartet , John Davison