Content Posted in 2025
A review of quorum-sensing and its role in mediating interkingdom interactions in the ocean, Megan Coolahan '22 and Kristen E. Whalen
As Good as Gold: Why do we still study the color of urine?, Darin Hayton
Biosynthesis and function of 7-deazaguanine derivatives in bacteria and phages, Valerie de Crécy-Lagard, Geoffery Hutinet, José D.D. Cediel-Becerra, Yifeng Yuan, and Rémi Zallot
C9orf72 proline-arginine dipeptide repeats disrupt the proteasome and perturb proteolytic activities, Yifan Zhang '21, Sophia Nelson '20, Ashley Viera-Ortiz, Edward B. Lee, and Robert Fairman
Contemporary Issues and Advancements in Coastal Eolianite Research, David Backus
Elemental composition and potential toxicity of the riverine macrophyte Podostemum ceratophyllum Michx. reflects land use in eastern North America, James L. Wood, Lee Dietterich, Douglas R. Leisure, Sarah C. Jantzi, and Thomas R. Maddox
Escaping Impossibility: Musings on Freedom, Fugitivity, and Black Queer Ethics, Thelathia Nikki Young
Experimental Politics: The Middle Ages, Counterrevolutionary Catholics, and the Politics of History, 1780s-1820s, Glauco Schettini
Free as they want to be: Artists Committed to Memory, William Earle Williams
Jane Chandlee, Associate Professor of Linguistics
Jennifer Walshe on Opera, Music Theater, and Collaboration: An Interview with Elaine Fitz Gibbon, Elaine R. Fitz Gibbon
Laplace approximation of J factors for rigid base and rigid basepair models of DNA cyclization, Robert S. Manning
Les Aenigmata de Symposius: jeux et dissimulations [book review], Bret Mulligan
Matthew McKeever, Professor of Sociology
Musicology in a Time of Technological Transformation, Richard Freedman and Daniel Russo-Batterham
Pedagogía del análisis computacional para repertorios renacentistas: el proyecto CRIM y las misas de Pedro Fernández Buch, María Elena Cuenca Rodriguez and Richard Freedman
Quantitative and Computational Approaches to Phonology, Jane Chandlee
Reevaluating Political Musiktheater and Reversing Colonialist History: Mauricio Kagel’s Mare Nostrum (1975), Elaine R. Fitz Gibbon
Resettled Iraqi refugees in the United States: War, refuge, belonging, participation and protest [book review], Zainab Saleh
Resource Letter ALC-1: Advanced Laboratory Courses, Walter Fox Smith
Review of Critique of Critique (Stanford UP 2023) by Roy Ben-Shai, Jill Stauffer
Solidarity Cities: Confronting Racial Capitalism, Mapping Transformation, Maliha Safri, Marianna Pavlovskaya, Stephen Healy, and Craig Borowiak
Structural decomposition of merger-free galaxies hosting luminous AGNs, Matthew J. Fahey, Izzy L. Garland, Brooke D. Simmons, William C. Keel, and Karen Masters
Suite for Flute and Piano, Heidi Jacob
Thanks for Nothing: The Economics of Single Motherhood since 1980, Nicholas H. Wolfinger and Matthew McKeever
The Effects of poly-GA and poly-PR C9orf72 Dipeptide Repeats on Sleep Patterns in Drosophila melanogaster, Genevieve Uy '22, Laura N. Farrell '19, Syeda F. Faheem '24, Lauren E. Kinne '23, Madison G. Adore '21, Seol Hee Im, and Robert Fairman
The Galaxy Zoo catalogues for Galaxy And Mass Assembly (GAMA) survey, Benne Willem Holwerda, Clayton Robertson, Kyle Cook, Kevin Pimbblet, and Karen Masters
Their Kindred Earth: Photographs by William Earle Williams, William Earle Williams
The Island of Doctor Moreau: A Norton Critical Edition, H. G. Wells and Kimberly W. Benston
The technological drama of AI: From private power to player engagement with AlphaGo, Xerxes Minocher
Tratado de la redondez de la tierra [book review], Luis Rodriguez-Rincon
Unmarked simple length spectral rigidity for covers, Tarik Aougab, Max Lahn, Marissa Loving, and Nicholas Miller
Upper bounds for the Lagrangian cobordism relation on Legendrian links, Joshua Marc Sabloff, David Shea Vela-Vick, and C-M Michael Wong
Vanadium Complexes for Mitochondria-Targeted Photodynamic Therapy, Md Kausar Raza and Arun Kumar
Why Do Armed Nonstate Actors Introduce Codes of Conduct? Explaining al-Qaeda’s “General Guidelines for Jihad”, Barak Mendelsohn
William Williams, Professor of Fine Arts
Yesterday’s Dreams Are Real: Collecting Black Art and The Legacy of Lewis Tanner Moore, William Earle Williams