Submissions from 2022
Women at Work in Twenty-First-Century European Cinema [book review], Imke Brust
Submissions from 2020
Frederik Schneeweiss, Medialität und Musikopoetik. Grenzfälle der Sprache im Werk von Gert Jonke [book review], Ulrich Schonherr
Zu einfache Analogieschlüsse. Anmerkungen zu Jon Gestermanns „Vergegenwärtigungen der Vergangenheit. Geschichtsbilder in W. G. Sebalds Prosa [book review], Ulrich Schonherr
Submissions from 2016
Objects in Motion: Hans Richter’s Vormittagsspuk (1928) and the Crisis of Avant-Garde Film, Brook Henkel
The Use and Abuse of Cinema: German Legacies from the Weimar Era to the Present. [Book Review], Brook Henkel
Watching the Night: Surveillance and Cross-Sectional Montage in Nikolaus Geyrhalter’s Abendland (2011), Brook Henkel
Submissions from 2014
Review of Alfred J. Drake's New Essays on the Frankfurt School of Critical Thought, Imke Brust
Motte, Brook Henkel
Intermediale Grenzgänge: Technologie, Sprache und Musik in Georges Perecs Hörspiel Die Maschine, Ulrich Schonherr
Klang-Bild-Sprache. Musikalisch-Akustische Konfigurationen in der Literatur und im Film der Gegenwart, Ulrich Schonherr
Submissions from 2013
Transnational and Gendered Dimensions of Heimat in Mo Asumang’s Roots Germania, Imke Brust
Submissions from 2011
Spatial Turns: Space, Place, and Mobility in German Literary and Visual Culture [book review], Imke Brust
The Crisis of an Old Order: Gender, Sexual Relations, and Reproduction in Lessing's The Cleft, Imke Brust
Submissions from 2010
Review of Jill Anne Kowalik's Theology and Dehumanization, Imke Brust
Transcending Apartheid: Empathy and the Search for Redemption, Imke Brust
Out of Tune: Music, Postwar Politics, and Edgar Reitz’s “Die Zweite Heimat", Ulrich Schonherr
Submissions from 2009
The Machine (Translation), Georges Perec and Ulrich Schonherr
Submissions from 2006
Uniting through Mourning in Post-Apartheid South Africa, Imke Brust
Submissions from 2004
Adorno and Jazz: Reflections on a Failed Encounter (reprint), Ulrich Schonherr
Adorno, Tradition, and the Postmodern (reprint), Ulrich Schonherr
Submissions from 2003
'Ich bin der Welt abhanden gekommen': Zum Ort der Musik im Erzählwerk Gert Jonkes (expanded version), Ulrich Schonherr
Submissions from 2000
Die Wiederkehr der Aura im Zeitalter technischer Reproduzierbarkeit: Musik, Literatur und Medien in Peter Handkes Versuch über die Jukebox, Ulrich Schonherr
Submissions from 1998
'Ich bin der Welt abhanden gekommen': Zum Ort der Musik im Erzählwerk Gert Jonkes, Ulrich Schonherr
Lieder, Ulrich Schonherr
Topophony of Fascism: On Marcel Beyer's 'The Karnau Tapes', Ulrich Schonherr
Submissions from 1997
Choral Music (volumes 1-5); Gartenlieder, Ulrich Schonherr
Submissions from 1995
Review of Marc A. Weiner's Undertones of Insurrection: Music, Politics, & the Social Sphere in the Modern German Narrative, Ulrich Schonherr
Social Differentiation and Romantic Art: E.T.A. Hoffmann's 'The Sanctus' and the Problem of Aesthetic Positioning in Modernity, Ulrich Schonherr
Submissions from 1994
Das Unendliche Altern der Moderne: Untersuchungen zur Romantrilogie Gert Jonkes, Ulrich Schonherr
Submissions from 1991
Adorno and Jazz: Reflections on a Failed Encounter, Ulrich Schonherr
Review of Rolf Gunter Renner's Die postmoderne Konstellation. Theorie, Text und Kunst im Ausgang der Moderne, Ulrich Schonherr
Marginalia on Mahler, Ulrich Schonherr and David Pan
Submissions from 1989
Adorno, Ritter Gluck, and the Tradition of the Postmodern, Ulrich Schonherr
Submissions from 1988
Vom Affen zur Maschine: Kafkas Erzählung 'Bericht für eine Akademie' im Spiegel der Machttheorien von Hegel und Foucault, Ulrich Schonherr