Submissions from 2026
Borderland Solidarity: Indigenous Law, Media, and Environmental Activism in Kachinland, Emily Hong
Submissions from 2025
giroscopio, John Muse and Brendamaris Rodriguez
Duet, John Muse
Shape Games, John Muse
Submissions from 2023
Feminist Sensory Ethnography: Embodied Filmmaking as a Politic of Necessity, Elena H. Guzman and Emily Hong
Above and Below the Ground [documentary film], Emily Hong
A Period Piece that Endures: Twenty-eight reflections on Sloughing, Alexis Bard Johnson and Raegan Truax
Submissions from 2022
Cross-platform Play: A Hybrid Pedagogy for Devised College Theatre, Matt O'Hare
Durational Performance and Queer Refrain, Raegan Truax
Responding to Site: The Performance Work of Marilyn Arsem [book review], Raegan Truax
Submissions from 2021
Developing new faculty voice and agency through trustful, overlapping, faculty-faculty and student-faculty conversations, Alison Cook-Sather, Emily Hong, Tamarah Moss, and Adam Williamson
Recitation, Raegan Truax
The Multiply Produced Film: Collaboration, Ethnography, and Feminist Epistemology, Emily Hong
Submissions from 2020
A Family Affair: Jacolby Satterwhite's Queer Utopics, Christina Knight
Rebirth Is Necessary, Christina Knight
Wanting More, Shannan Hayes
Submissions from 2019
Counterpublic and counterprivate: Zoe Leonard, David Wojnarowicz, and the political aesthetics of intimacy, Shannan Hayes and Max Symuleski
Feeling and falling in arthur Jafa’s love is the message, the message is death, Christina Knight
Submissions from 2017
Music Video, Emily Hong
Scaling struggles over land and law: Autonomy, investment, and interlegality in Myanmar’s borderlands, Emily Hong
Submissions from 2016
Nobel Nok Dah [documentary film], Emily Hong, Miasarah Lai, and Mariangela Mihai
Submissions from 2015
For My Art [documentary film], Emily Hong, Miasarah Lai, and Mariangela Mihai
Submissions from 2013
East Asia, Emily Hong
Get By: The Fight for a Living Wage [documentary film], Emily Hong
