Submissions from 2003
Amae in Ancient Greece, Elisabeth Young-Bruehl and Joseph A. Russo
From Joke to Proverb to Ethnic World View, Elisabeth Young-Bruehl and Joseph A. Russo
Submissions from 2002
Penelope's Gates of Horn and Ivory in La Mythologie et l'Odyssée, Joseph A. Moreno
Euripides in Translation, Deborah H. Roberts
Penelope's Song: The Lyric Odysseys of Linda Pastan and Louise Gluck, Deborah H. Roberts and Sheila Murnaghan
Submissions from 2000
A History of Rome: from Rome's Origins to Justinian and Beyond, Bret Mulligan
Comparison of the 1920's and 1930's with the 1990's, Bret Mulligan
Athena and Hermes in early greek poetry: doubling and complementarity, Joseph A. Russo
Submissions from 1999
Sicilian Folktales, Cognitive Psychology, and Oral Theory, Joseph A. Russo
Stesichorus, Homer, and the Forms of Early Greek Epic, Joseph A. Russo
Submissions from 1998
Musical Design in Sophoclean Theater [book review], Deborah H. Roberts
Submissions from 1997
Afterword: Ending and Aftermath, Ancient and Modern, Deborah H. Roberts
Classical closure: reading the end in Greek and Latin literature, Deborah H. Roberts
Formula, Joseph A. Russo
Jungian analysis of Homer's Odysseus, Joseph A. Russo
Prose genres for the performance of traditional wisdom in Ancient Greece: proverb, maxim, opthegm, Joseph A. Russo
The Formula, Joseph A. Russo
Submissions from 1996
Odes 1.5: A Reversal, Horace and Deborah H. Roberts
Closure, S. Hornblower, Deborah H. Roberts, and A. Spawforth
Sphragis, S. Hornblower, Deborah H. Roberts, and A. Spawforth
Classics and the Uses of Reception [book review], Deborah H. Roberts
Submissions from 1994
The Living Voice of Greek and Latin [book review], Deborah H. Roberts
Homer's Style: Nonformulaic Features of an Oral Aesthetic, Joseph A. Russo
Submissions from 1993
The Frustrated Mourner: Strategies of Closure in Greek Tragedy, J. Farell, Deborah H. Roberts, and R. Rosen
Formulaic Repetition and Narrative Innovation: Odyssey 19.440- 443, the Boar in the Bush, Joseph A. Russo
Submissions from 1992
Aristotle, Poetics [book review], Deborah H. Roberts
Beginnings in Classical Literature [book review], Deborah H. Roberts
Outside the drama: the limits of tragedy in Aristotle's Poetics, Deborah H. Roberts
Sources of Dramatic Theory 1: Plato to Congreve [book review], Deborah H. Roberts
A Commentary on Homer's Odyssey, Joseph A. Russo
Oral Theory: Its Development in Homeric Studies and Applicability to Other Literatures, Joseph A. Russo
Submissions from 1989
Agamemnon's test: Iliad 2.73-75, Ronald Knox and Joseph A. Russo
Different Stories: Sophoclean Narrative(s) in the Philoctetes, Deborah H. Roberts
Agamemnon's Test: Iliad. 2.75-79, Joseph A. Russo and R. Knox
Submissions from 1988
Fate in Oedipus Tyrannus: A Textual Approach, Arethusa Monographs XI [book review], Deborah H. Roberts
Ritual Irony [book review], Deborah H. Roberts
Sophoclean Endings: Another Story, Deborah H. Roberts
Lyric and Elegaic Poetry: Greece in Civilization of the Ancient Mediterranean, Joseph A. Russo
Submissions from 1987
Parting words: final lines in Sophocles and Euripides, Deborah H. Roberts
Oral Style as Performance Style in Homer's Odyssey: Should We Read Homer Differently After Parry, Joseph A. Russo
Submissions from 1986
Responses and Discussion of Papers on Audience-Oriented Criticism and the Classics, D. P. Tompkins and E. Stehle
Submissions from 1985
Orestes as Fulfillment, Teraskopos and Teras, Deborah H. Roberts
Review of Macleod's Collected Essays, Deborah H. Roberts
Submissions from 1984
Apollo and his Oracle in the Oresteia, Deborah H. Roberts
Blood or Fate: A Note on Choephori 927, Deborah H. Roberts
Submissions from 1983
Review of Daitz's The Pronunciation of Ancient Greek, Deborah H. Roberts
The Poetics of the Ancient Greek Proverb, Joseph A. Russo
Submissions from 1982
Interview and Aftermath: Fantasy, Dream and Intuition in Odyssey 19 and 20, Joseph A. Russo
Submissions from 1979
Homeric Psychology and the Oral Epic Tradition, Joseph A. Russo
Submissions from 1978
Homer Gegen Seine Tradition in Tradition und Neuerung, Joseph A. Russo
Submissions from 1976
How, and What, Does Homer Communicate? The Medium and Message of Homeric Verse, Joseph A. Russo
Is Aural or Oral Composition the Cause of Homer's Formulaic Style?, Joseph A. Russo
Submissions from 1975
Reading the Greek Lyric Poets (Monody), Joseph A. Russo
Submissions from 1974
The Inner Man in Archilochus and the Odyssey, Joseph A. Russo
Submissions from 1971
Psicologia Omerica e Tradizione Epica Orale, Joseph A. Russo
The Meaning of Oral Poetry: the Collected Papers of Milman Parry, a Critical Re-assessment, Joseph A. Russo
Submissions from 1968
Homer Against his Tradition, Joseph A. Russo
Homeric Psychology and the Oral Epic Tradition, Joseph A. Russo and B. Simon
Submissions from 1966
The Structural Formula of Homeric Verse, Joseph A. Russo
Submissions from 1963
A Closer Look at Homeric Formulas, Joseph A. Russo