Exploring Data-Driven Instruments in Contemporary Music Composition

Document Type

Journal Article

Role

Author

Publisher

The Society for Electro-Acoustic Music in the United States

Journal Title

Journal SEAMUS

Volume

32

Issue

1-2

First Page

3

Last Page

12

Publication Date

2021

Abstract

How can data-driven instruments, through data mapping strategies and the use of performance interfaces, transform compositional practices and expand the creative possibilities of contemporary music production? This paper illustrates the concept of datadriven instruments and their connection to conventional musical instruments. It examines three original compositions written by the author to demonstrate the utilization of data-driven instruments in musical contexts, focusing on the application of sonic materials and data mapping strategies. Developed using Max, a programming language by Cycling '74, and Kyma, a sound creation environment by Symbolic Sound, these compositions utilize diverse performance interfaces to explore interactive, real-time possibilities. By exploring these instruments' innovative potential, this paper demonstrates their transformative role in contemporary music creation, offering new potentials and expanding the horizons of musical artistry.

Link to Full Text

Share

COinS