Submissions from 2024
Sextet [Recording], Ingrid Arauco
Submissions from 2023
Singing City 75th Anniversary Concert: To be Certain of the Dawn, Friede auf Erden, Jeffrey Brillhart and Nathan Zullinger
A Cultural History of Western Music in the Renaissance, Richard Freedman and Jeanice Brooks
Metamorphosis I, Heidi Jacob
Has “Whiteness” limited the imagination of Western choral music?, Thomas Lloyd
Voices of Change: Impacting the Communities We Serve (Part 1), Thomas Lloyd
Voices of Change: Impacting the Communities We Serve (Part 2), Thomas Lloyd
Singing City Songbook, Nathan Zullinger
Submissions from 2022
Singing City: Messiah Sing-In, Jeffrey Brillhart and Nathan Zullinger
Lilacs, Heidi Jacob
Appearances, Thomas Lloyd
Ontology for Analytic Claims in Music, Emilio M. Sanfilippo and Richard Freedman
Submissions from 2021
Resonances [CD], Ingrid Arauco
Ruby [Recording], Ingrid Arauco
The Cambridge History of Sixteenth-Century Music [book review], Richard Freedman
Submissions from 2020
Fantasy-Quartet [Recording], Ingrid Arauco
Submissions from 2019
"Very Good for an American": Essays on Edward MacDowell [book review], Myron Gray
Provenance. Kinnara Ensemble: J. D. Burnett, Conductor [concert review], Nathan Zullinger
Submissions from 2018
Sonata for Piano [Recording], Ingrid Arauco
Music, Myron Gray
Singing Sedition: Piety and Politics in the Music of William Billings [book review], Myron Gray
Submissions from 2017
The Collaborative Musical Text, Richard Freedman, Raffaele Viglianti, and Adam Crandell
A Partisan National Song: The Politics of “Hail Columbia” Reconsidered, Myron Gray
Submissions from 2015
Dalle Dolomiti all'Etna, Curt Cacioppo
Divertimenti in Italia, Curt Cacioppo
Fantasy, Air & Rag, Curt Cacioppo
Gloria, Curt Cacioppo
The Valiant Crab, Curt Cacioppo
Women at the Cross, Curt Cacioppo
Review of Catherine Jones, Literature and Music in the Atlantic World, Myron Gray
Beneath Winter Light: the Music of Heidi Jacob, Heidi Jacob
You Must Know, Thomas Lloyd
Submissions from 2014
Pavane-Variations [Recording], Ingrid Arauco
Vistas [CD], Ingrid Arauco
Ritornello, Curt Cacioppo
The Renaissance Chanson Goes Digital, Richard Freedman
The Vocal Chamber Music of Hans Gál, Thomas Lloyd
Submissions from 2013
As Well for the Poore as the Peere, Curt Cacioppo
Bonhoeffer - A Choral-Theater Work, Curt Cacioppo
Life Time, Curt Cacioppo
Curt Cacioppo's "Invocation and Dance of the Mountain Gods", Heidi Jacob
Eternity’s Disclosure, Thomas Lloyd
Submissions from 2012
Laws of the Pipe, Curt Cacioppo, Peter Blue Cloud, Janice Fiore, and David Geber
Josquin, The Multi-Voice Chanson, and the Sublime, Richard Freedman
Les Imprimeurs et Leurs Publics: le Cas de Du Cheminm et d’Estrée, Richard Freedman
Music in the Renaissance, Richard Freedman
Beginning Again, Heidi Jacob
Curt Cacioppo's "Scenes from Indian Country", Heidi Jacob
Regard a Schubert: a Fantasy Impromptu, Heidi Jacob
Selections from Beginning Again, Heidi Jacob
Ben Unleashed, Thomas Lloyd
Body, Mind, Spirit, Voice!, Thomas Lloyd
Submissions from 2011
Florescence, Ingrid Arauco
Vistas for Flute and Piano, Ingrid Arauco
Invocation: Solo Piano and Chamber Music (CD), Ingrid Arauco, Paul R. Demers, Hirono Oka, and Burchard Tang
Heavy Pedal, Curt Cacioppo
Filling the Gaps: Report on "Restituer la polyphonie lacunaire: enjeux methodologie et perspectives," 25-29 October 2010, Centre d'etudes superieurs de la Renaissance (CESR), Tours, Theodor Dumitrescu and Richard Freedman
Listening to the Psalms among the Huguenots: Simon Goulart as Music Editor, Richard Freedman
The Chansonniers of Nicolas Du Chemin: A Digital Forum for Renaissance Music Books, Richard Freedman and P. Vendrix
Salome Revisited. Electroacoustic work, Heidi Jacob
Bringing Transformative Collaborations to Life, Thomas Lloyd
Submissions from 2010
Divertimento for trumpet, violin, and cello, Ingrid Arauco
Envoi for Solo Piano, Ingrid Arauco
Pavane-Variations for flute, violin, bass viola da gamba, cello, harpsichord, Ingrid Arauco
A Pianist in Dante’s Hell: Marino Baratello’s Malebolge Cycle, Curt Cacioppo
ITALIA , Curt Cacioppo
Adam of Fulda, Richard Freedman
Alexander Agricola, Richard Freedman
Antoine Busnoys, Richard Freedman
Benedictus, Richard Freedman
Caput Masses, Richard Freedman
Conradus de Zabernia, Richard Freedman
Contenance angloise, Richard Freedman
Gilles Binchois, Richard Freedman
Guillaume Dufay, Richard Freedman
Heinricus Isaac, Richard Freedman
Homme arm, Richard Freedman
Johannes Tinctoris, Richard Freedman
John Dunstable, Richard Freedman
Leonel Power, Richard Freedman
Les chansonniers de Nicolas Du Chemin, Richard Freedman
Loyset Comp, Richard Freedman
Minor Composers, Richard Freedman
Motet and Mass, 1400-1500, Richard Freedman
Pierre de La Rue, Richard Freedman
Polyphonic Chanson, 1400-1500, Richard Freedman
Regard a Schubert, Heidi Jacob
Through the Looking Glass, Heidi Jacob
Fatherly Reflections, Thomas Lloyd
Fellowship of Miracles, Thomas Lloyd
Submissions from 2009
When the orchard dances ceased, Curt Cacioppo
Ainsi meurs vif: The Paradox of Choice in Renaissance Song, Richard Freedman
André Thomas, Way Over in Beulah Lan’ – Understanding and Performing the Negro Spiritual [book review], Thomas Lloyd
Camp Meeting, Thomas Lloyd
My Encounter with Estill Voice Training, Thomas Lloyd
The Revival of an early “Crossover” masterwork – Duke Ellington’s Sacred Concerts, Thomas Lloyd
Submissions from 2008
Ancestral Passage, Curt Cacioppo