Submissions from 2008
Who Owned Lasso's Chansons, Richard Freedman
Pied Beauty, Thomas Lloyd
Review of Ahlquist's Chorus and Community, Thomas Lloyd
Stan’ Still Jordan – Egbe Nukopowo, Thomas Lloyd
Submissions from 2007
Burning with the Muse, Curt Cacioppo
How a Printer Shaped Musical Tastes: Adrian Le Roy and Listeners at the Royal Court of France, Richard Freedman
Hope in the Unified Language of Music: Teaching Sacred Music in a Secular Context, Thomas Lloyd
Jubilant Intimations, Thomas Lloyd
Sojourn, Thomas Lloyd
Teaching Sacred Music in Secular Contexts, Thomas Lloyd
Submissions from 2006
Hommage à Pierrot, Ingrid Arauco
Meditation (Glocken), Ingrid Arauco
Clément Janequin, Pierre Attaingnant, and the Changing Image of French Music, ca. 1540, Richard Freedman
France, i, 1520-60, Richard Freedman
Review of Jean Guyot de Chatelet's Chansons, Richard Freedman
Review of Kate van Orden's Music, Discipline, and Arms in Early Modern France, Richard Freedman
Sonnettina, Heidi Jacob
Submissions from 2005
Florescence, Ingrid Arauco
Ritorno, Ingrid Arauco
Three for Two, Ingrid Arauco
Review of Honey Meconi's Pierre de la Rue and Musical Life at the Habsburg-Burgundian Court, Richard Freedman
Review of Robert Weeda's "L’Eglise des français” de Strasbourg (1538-1563), Richard Freedman
The Starry Messenger, Heidi Jacob
Sonatas of John Davison, Heidi Jacob and Charles Abramovic
The Spirit Moves in Marvelous Ways - Ode to Ellington, Thomas Lloyd
Voices in Exile – The Choral Music of Jean Berger and Hans Gál, Thomas Lloyd
Submissions from 2004
Dreamdances, Ingrid Arauco
Triptych for solo piano , Ingrid Arauco, Curt Cacioppo, Marino Baratello, and Joseph Hudson
Millennium Crossings, Curt Cacioppo, Ingrid Arauco, Marino Baratello, and Joseph Hudson
Cello and Piano Sonatas, John Davison and Heidi Jacob
More than Mozart: Listening to and Appreciating Classical Music; Portable Professor Series, Richard Freedman
Review of Christelle Cazaux's La Musique à la cour de François, Richard Freedman
Review of Robert Weeda's Le Psautier de Calvin., Richard Freedman
Curt Cacioppo's Oboe Concerto, Heidi Jacob
Leaves of Grass / Ode to America, Thomas Lloyd
The Wishing Tree – The Choral Music of Robert Maggio, Thomas Lloyd
Submissions from 2003
Fantasy-Quartet, Ingrid Arauco
Trio, Ingrid Arauco
Le Jeune's Dodecacorde as a site for spiritual meanings, Richard Freedman
Music Books as Sites of Spiritual Meaning: Claude Le Jeune's Dodecacorde, Richard Freedman
Review of Christelle Cazaux's La Musique à la cour de François, Richard Freedman
Immensity Cloistered in Thy Dear Womb, Thomas Lloyd
Submissions from 2002
Jasper for solo oboe, Ingrid Arauco
Trio for oboe, violin, and piano, Ingrid Arauco
Concerto for oboe and string chamber orchestra with harpsichord, Curt Cacioppo
Fantasies, Curt Cacioppo
Moonslayer, Curt Cacioppo
Wolf, Curt Cacioppo
Review of Fiona Kisby's Music and Musicians in Renaissance Cities and Towns, Richard Freedman
Review of Hubert Waelrant's Liber Sextus Sacrarum Cantionum, Richard Freedman
Review of Orlando di Lasso's Seine Werke in zeitgenössischen Drucken, 1555-1687, Richard Freedman
Review of Orlando di Lasso's The Complete Motets, Richard Freedman
Review of Richard Sherr's Four-Voice Motets from the Motetti del fiore Series, Richard Freedman
Review of Rudolph di Lasso's Virginalia Eucharistica (1615), Richard Freedman
New Music for Oboe, Heidi Jacob, Ingrid Arauco, and Curt Cacioppo
Submissions from 2001
Italy 2001: Southern Splendor, Curt Cacioppo
Chansons of Orlando di Lasso and their Protestant Listeners: Music, Piety, and Print in Sixteenth-Century France, Richard Freedman
Le Jeune in perspective: Journees Claude Le Jeune, Chateau de Chambord, 19-22 October 2000., Richard Freedman
Review of Isabelle His's Claude Le Jeune, Richard Freedman
Review of Jeanice Brooks's Courtly Song in Late Sixteenth-Century France, Richard Freedman
Review of Richard Sherr's The Sixteenth-Century Motet, Richard Freedman
Thomas Crecquillon and The Musical Dialogue in the Chansonniers of Nicholas Du Chemin, Richard Freedman
The distant native voice...America's other musical heritage, Heidi Jacob
Submissions from 2000
Review of Pierre de Villiers's Chansons, Richard Freedman
The Chansons of Claude Goudimel in the Publications of Nicholas Du Chemin, Richard Freedman
Submissions from 1999
Review of Eloy d'Emerval's Missa Dixerunt discipuli, Richard Freedman
The Music of Clément Janequin in the Chansonniers of Nicholas Du Chemin, Richard Freedman
When the Orchestra Arrives, Thomas Lloyd
Submissions from 1998
Lassus chansons and their Protestant listeners in the late sixteenth century, Richard Freedman
Review of Jean de Castro's Chansons, odes, et sonetz de Pierre Ronsard, Richard Freedman
Words and Tones in Du Chemin’s Sixiesme Livre, Richard Freedman
Notes from Philadelphia, Heidi Jacob
Submissions from 1997
Le Cardinal Jean de Lorraine: un Prélat de la Renaissance Mécène de la Musique, Richard Freedman
Nicolas Du Chemin's Quart livre of 1550 and its Musical Contents, Richard Freedman
Practical and Theoretical Aspects of the Du Chemin Chansonniers of ca. 1550, Richard Freedman
Submissions from 1996
Nicolas Du Chemin's Tiers livre of 1550 and its Musical Contents, Richard Freedman
Review of Jean Maillard's Modulorum Ioannis Maillardi, Richard Freedman
Am I Being Followed? Finding the Elusive Connection Between Conductor and Ensemble, Thomas Lloyd
Submissions from 1995
Nayénezgani: (Monsterslayer) for String Quartet, Curt Cacioppo
Luca Marenzio's Madrigali a quattro, cinque et sei voci of 1588: A Newly-Revealed Madrigal Cycle and its Intellectual Context, Richard Freedman
Marenzio's Madrigali a quattro, cinque et sei voci of 1588: a newly-revealed madrigal cycle and its intellectual context, Richard Freedman
Review of Claude Le Jeune's Dodecacorde, Comprising Twelve Psalms of David Set to Music According to the Twelve Modes, Richard Freedman
Submissions from 1994
Claude le Jeune, Adrian Willaert and the art of musical translation, Richard Freedman
Claude Le Jeune; Mathieu Lasson, Richard Freedman
Divins accords: the Lassus chansons and their Protestant readers of the late sixteenth century, Richard Freedman
Nicolas Du Chemin's Premier livre of 1550 and its Musical Contents, Richard Freedman
Review of Anonymous Chansons Published by Pierre Attaingnant, Richard Freedman
Review of Máire Egan-Buffet's Les Chansons de Claude Goudimel, Richard Freedman
Submissions from 1993
Fingering, Curt Cacioppo, Margaret W. Palmieri, and Robert Palmieri
Survey of Piano Technic , Curt Cacioppo, Margaret W. Palmieri, and Robert Palmieri
Du Chemin's Second livre of 1549 and the Commerce of the French Chanson, Richard Freedman
Review of Frank Dobbins's Music in Renaissance Lyons, Richard Freedman
Wagner's "hour of need": the development of musical narrative in Logengrin and Die Walkure, Richard Freedman
Albumleaf, Heidi Jacob
Chamber music by Ernesto Pellegrini, Michael Zak, Marilyn Costello, and Heidi Jacob
Submissions from 1992
Methods of translation in Bartok's twenty Hungarian folksongs, Ingrid Arauco
Fantasy-Refrain: (1991) : for Piano Solo, Curt Cacioppo