Submissions from 2026
On Whiteness and Sound Studies, Gustavus Stadler
The Education of Perceval: Teaching Romance in the Age of Consent, Maud Burnett McInerney
David Bowie: “Girl Loves Me”, Gustavus Stadler
Prince: “The Most Beautiful Girl in the World,” or, Could / Be the Most Beautiful Girl in the World?, Gustavus Stadler
End of the Line, Asali Solomon
Jacquette of Luxembourg, Sarah Wilma Watson
Submissions from 2025
Local Claiming, Capacious Life: Kevin Quashie on Lucille Clifton, Lindsay V. Reckson
Glimpsing Goethe’s Corpse, Christina Zwarg
Dove Woman, Maud Burnett McInerney
Tongue Surgery, Elizabeth Kim
The Norton Anthology of African-American Literature (4th ed.), Henry Louis Gates Jr., Valerie A. Smith, and Kimberly W. Benston
“Crossing Borders—From Slavery to Abolition (1670-1875)”: A Collaborative Student Exhibition at the Haverford College Libraries, Sarah M. Horowitz and Sarah Wilma Watson
“Crammed With Tongues”: Cosmopolitan Creole in Cathy Park Hong’s Dance Dance Revolution, Elizabeth Kim
The Island of Doctor Moreau: A Norton Critical Edition, H. G. Wells and Kimberly W. Benston
Submissions from 2024
"Cut Off from the Green Reconciling Earth": Patriarchal Preservation and Ecological Subjectivity in Aurora Leigh, Hannah Schultz
Epistolary Experiments, Lindsay V. Reckson
An Herbal Triptych: Queer Intimacies and the Vegetal Middle Ages, Danielle Allor and Micah James Goodrich
'Beyond this Narrow Now'; or, Delimitations, of W. E. B. Du Bois. By Nahum Dimitri Chandler. Durham [book review], Christina L. Zwarg
Introduction, Asali Solomon
The Matter of Black Living: The Aesthetic Experiment of Racial Data, 1880-1930 [book review], Lindsay V. Reckson
Submissions from 2023
George Gissing Goes Out in Style: The Syntax of Class after 1890, Alexander Millen
Remembering the Electric Factory: New Drexel show gives a front-row seat to 50 years of rock, Thomas Devaney
Up on the Roof & Other Poems, Thomas Devaney
Submissions from 2022
American Literature in Transition, 1876–1910, Lindsay V. Reckson
French Texts and English Literary History: The Reception of Christine de Pizan in Fifteenth-Century England, Sarah Watson
On Similitude, Lindsay V. Reckson
Submissions from 2021
Delandria, Asali Solomon
The Days of Afrekete: A Novel, Asali Solomon
The Writer's Gift or the Patron's Pleasure?: The Literary Economy in Late Medieval France [book review], Sarah Watson
This Land Is … whose land?: The history of Woody Guthrie’s song, Gustavus Stadler
Translation and Temporality in Benoît de Sainte-Maure's Roman de Troie, Maud Burnett McInerney
Submissions from 2020
Art helps democracy. Mayor Kenney's plan to zero out Philly's arts office hurts us all., Thomas Devaney
Female Authorship, Patronage, and Translation in Late Medieval France: From Christine de Pizan to Louise Labe, Sarah Watson
Realist Ecstasy: Religion, Race, and Performance in American Literature, Lindsay V. Reckson
Riddling Words: the Prophetiae Merlini, Maud Burnett McInerney
Sugar, Smoke, Song: A Novel, Reema Rajbanshi
The Archive of Fear: White Crisis and Black Freedom in Douglass, Stowe, and Du Bois, Christina L. Zwarg
Woody Guthrie: An Intimate Life, Gustavus Stadler
Submissions from 2019
Conversations with Microaggressions and the Spirit World, Asali Solomon
Delandria, Asali Solomon
In Search of Lost Chords: Joni Mitchell, The Last Waltz, and the Refuge of the Road, Gustavus Stadler
Submissions from 2018
An Urban Palimpsest: Philadelphia: Finding the Hidden City [Book Review], Thomas Devaney
Raccoon, Thomas Devaney
Seizures of Sleep in Early Modern Literature, Benjamin Parris
Taylor Mac’s 24-Decade History of Popular Music:Merriam Theater, Philadelphia, June 2 & 9, 2018, Gustavus Stadler
Temporal Effects: Trauma, Margaret Fuller, and “Graphicality” in Poe, Christina Zwarg
The Book of Jonah, Thomas Devaney
Where in the great glare was I, Thomas Devaney
Submissions from 2017
Five, Thomas Devaney
Commentary: In 'Paterson,' a snippet of the poet's life, Thomas Devaney
Geoffrey of Monmouth and the Feminist Origins of the Arthurian Legend, Maud Burnett McInerney
Middle English Romance and the Craft of Memory, Maud Burnett McInerney
Submissions from 2016
Harper and Trane: Modal Enactments of A Love Supreme, Kimberly W. Benston
Laying Down The Rails Scared and Secular Groundwork in Zora Neale Hurston's Jonah's Gourd Vine and King Vidor's Hallelujah, Leslie Wingard
Touching a Button, Lindsay V. Reckson
Submissions from 2015
An Irish Motif in Guta saga, Kristen Mills
Asali Solomon Recommends, Asali Solomon
A Week in the Childhood of W.C. Fields, Thomas Devaney
Black History, Asali Solomon
Disgruntled: A Novel, Asali Solomon
First Instrument, Thomas Devaney
"Gimme Gimme This, Gimme Gimme That”: Listening with, to, and through José Muñoz, Gustavus Stadler, Jeanne Vaccaro, Peter Coviello, and Karen Tongson
O My Swineherd [review of Amit Chaudhuri's Odysseus Abroad], Christina Zwarg
On Seeing William Larson's "Figure in Motion", Thomas Devaney
Quotation, Simile, Photograph: Margaret Fuller on 'The French in Algiers', Christina Zwarg
Runaway Goat Cart, Thomas Devaney
The Best Styles, Thomas Devaney
The pocket instructor, literature: 101 exercises for the college classroom, Lindsay V. Reckson, Diana Fuss, and William A. Gleason
Who’s Afraid of Virginia’s Nat Turner? Mesmerism, Stowe, and the Terror of Things, Christina Zwarg
Submissions from 2014
Gauvain and Gringalet: Comic Masculinities in Paien de Maisières, Maud Burnett McInerney
News and Material Culture in Early Modern and Restoration England: Using and Making Digital Archives, Laura McGrane
The Picture That Remains, Will Brown and Thomas Devaney
Black Women Academics and Their White Male Partners: A Study in Seamless Contradictions, Asali Solomon
Calamity Jane, Thomas Devaney
'My Wife': The Tape Recorder and Warhol's Queer Ways of Listening, Gustavus Stadler
Preface to a Twenty Volume Critical Note: For Amiri, Ghost of the Future, Kimberly W. Benston
The Envelope Poems of Emily Dickinson, Thomas Devaney
The Norton Anthology of African American Literature, Kimberly W. Benston
The Norton Anthology of African-American Literature (3rd ed.), Henry Louis Gates Jr., Valerie A. Smith, and Kimberly W. Benston
The Pete Seeger Reader, Gustavus Stadler
The Weather in Hemingway, Lindsay V. Reckson
"When Elephants Are in Must": Peggy Shaw, Acts of Trans/fer, and the Present Future of Queer Desire, Jaclyn Pryor
Submissions from 2013
Secret Pool, Asali Solomon
Cold Water for Blood Stains, Asali Solomon
Submissions from 2012
Absolute Music, Mechanical Reproduction [book review], Gustavus Stadler
A ‘Reg’lar Jim-Dandy’: Archiving Ecstatic Performance in Stephen Crane, Lindsay V. Reckson
Art Music and the Machine, Gustavus Stadler
Doing Genre, Laura McGrane
Each Attitude a Syllable: the Linguistic Turn in William James’s Varieties of Religious Experience, Lindsay V. Reckson
Fantasies of Failing Empire in La Belle Helène de Constantinople, Maud Burnett McInerney
Review of Colin Dickey's Afterlives of the Saints, Lindsay V. Reckson
Review of Jane Shaw's Octavia, Daughter of God, Lindsay V. Reckson
Submissions from 2011
Anita Desai, Rajeswari Mohan
Easy A, or Who's Your Daddy?: The Scarlet Letter Once More, Christina Zwarg
Strategic Naivete, Gustavus Stadler
The Excavation of History in Michelle Cliff's Fiction, Rajeswari Mohan
The Poetics and Politics of the American Gothic: Gender and Slavery in Nineteenth-Century American Literature [book review], Christina Zwarg
Twain's Idiomatic Gun, Christina Zwarg
Wharf Hypothesis, Ron Silliman
Submissions from 2010
Afterword: The Metaphysics Of Science: An Interview With Manuel Delanda, Peter Gaffney
