Submissions from 1997
The Rhetorical Logic of Henry James [book review], Gustavus Stadler
The Veil of Black: (Un)Masking the Subject of African-American Modernism's 'Native Son', Kimberly W. Benston
Submissions from 1996
Beyond Belief: Robert Bellah, George Gilder, and the Meta-Narrative of Welfare in the Postmodern State, Richard Hardack
Going belly up: Entries, entrees, and the all‐consuming encyclopedic text, Richard Hardack
"Infinitely Repellent Orbs": Visions of the Self in the American Renaissance, Richard Hardack
In the Meydens Womb: Julian of Norwich and the Poetics of Enclosure, Maud Burnett McInerney
Marginality in Frances Burney's novels, Julia J. Epstein
Of his love daungerous to me: Liberation, Subversion, and Domestic Violence in the Wife of Bath's Prologue and Tale, Elaine Tuttle Hansen
The Storied Facts of Margaret Fuller, Christina Zwarg
Veve Clark's Anti-Feminism in the Academy, Rajeswari Mohan
Xing, Ron Silliman
Submissions from 1995
Altered Conditions: Disease, Medicine, and Storytelling, Julia J. Epstein
"A Music Seeking Its Words": Double-Timing and Double Consciousness in Toni Morrison's Jazz, Richard Hardack
Dodging the Crossfire: Questions for Postcolonial Pedagogy, Rajeswari Mohan
Feminist conversations: Fuller, Emerson, and the play of reading, Christina Zwarg
[Margaret Fuller], Christina Zwarg
Multiculturalism in the Nineties: Pitfalls and Possibilities, Rajeswari Mohan
Reflections on Migratory Discourses in the Age of Transnational Capital, Rajeswari Mohan
Water Pollution and Motion Sickness: Rites of Passage in Nineteenth-Century Slave and Travel Narratives, Richard Hardack
Submissions from 1994
Crisis of femininity and modernity in the third world, Rajeswari Mohan
N/O, Ron Silliman
Radha Kumar's The History of Doing, Rajeswari Mohan
Stocks and Bonds: Pantheism and the Chain of Being in the American Renaissance, Richard Hardack
Teaching the Long Poem: The Example of 'Notes toward a Supreme Fiction', James C. Ransom
Towards a Critique of Materialist Feminism, Rajeswari Mohan
Vikram Seth's A Suitable Boy, Rajeswari Mohan
Submissions from 1993
Delicate Subjects: Romanticism, Gender, and the Ethics of Understanding, Christina Zwarg
Foot-noting the Sublime: Margaret Fuller on Black Hawk's Trail, Christina Zwarg
Jones, Ron Silliman
Opening the Oyster: Pearls in Pearl, Maud Burnett McInerney
Reading before Marx: Margaret Fuller and the New-York daily tribune, Christina Zwarg
Woman as Force in Twain's "Joan of Arc:" The Unwordable Fascination, Christina Zwarg
Submissions from 1992
AIDS, Stigma, and Narratives of Containment, Julia J. Epstein
Being there: performance as mise-en-scene, abscene, obscene, and other scene, Kimberly W. Benston
Chaucer and the Fictions of Gender, Elaine Tuttle Hansen
Demo to Ink, Ron Silliman
Fable in Harmonium's 'Adult Make-Believe', James C. Ransom
Historiography, diagnosis, and poetics, Julia J. Epstein
Introduction: Being There: Performance as Mise-en-Scène, Abscene, Obscene, and Other Scene, Kimberly W. Benston
Locating Adrienne Kennedy: prefacing the subject, Kimberly W. Benston
Multiculturalism and the Protocols of the New World Order, Rajeswari Mohan
Nature's Covenant: Figures of Landscape in Ruskin, Finley C. Stephen
Performance, Kimberly W. Benston
Review of Stanley Aronowitz and Henry Giroux's Postmodern Education, Rajeswari Mohan
Toner, Ron Silliman
Submissions from 1991
Bernard Malamud, John Ashmead
Burney Criticism: Family Romance, Psychobiography, and Social History, Julia J. Epstein
Leningrad, Ron Silliman
Mothers tomorrow and mothers yesterday, but never mothers today : women on the edge of time and The Handmaid's Tale, Elaine Tuttle Hansen
Reweaving the 'Ulysses scene': enchantment, post-Oedipal identity, and the buried text of blackness in Toni Morrison's Song of Solomon, Kimberly W. Benston
Words, music and emotion in the love songs of Robert Burns, John Ashmead and John Davison
Submissions from 1990
Combat rock, Gustavus Stadler
Criticism and prophecy, Finley C. Stephen
Endeles Knot': Closure and Indeterminacy in Sir Gawain and the Green Knight, Finley C. Stephen
Facing tradition: revisionary scenes in African-American literature, Kimberly W. Benston
Fearing for Chaucer's good name, Elaine Tuttle Hansen
Feminism in Translation: Margaret Fuller's Tasso, Christina Zwarg
Manifest, Ron Silliman
Newman, the Snapdragon, and Natural Theology, Finley C. Stephen
Traces of the other scene: the photography of David Miller, Kimberly W. Benston
Womanizing Margaret Fuller: Theorizing a Lover's Discourse, Christina Zwarg
Submissions from 1989
Body guards : the cultural politics of gender ambiguity, Julia J. Epstein and Kristina Staub
Bunyan among the Victorians: Macaulay, Froude, Ruskin, Finley C. Stephen
Death of Blanche and the life of the moral order, Elaine Tuttle Hansen
Dialogism and its Uses: A Critical Assessment of the Bakhtin School, Rajeswari Mohan
Emerson as "Mythologist" in the Memoirs of Margaret Fuller Ossoli, Christina Zwarg
Fathering and Blackface in "Uncle Tom's Cabin", Christina Zwarg
Feminization of men in Chaucer's Legend of Good Women, Elaine Tuttle Hansen
Performing blackness: re/placing Afro-American poetry, Kimberly W. Benston
Pola of Pera, Maud Burnett McInerney
Review of Claude Lefort's The Political Forms of Modern Society, Rajeswari Mohan
Ruskin and mimic engineering, Finley C. Stephen
The iron pen: Frances Burney and the politics of women's writing, Julia J. Epstein
Submissions from 1988
Clarence and Corinne, or, God's way, Hortense J. Spillers
Evelina's Deceptions: The Letter and the Spirit, Julia J. Epstein
George Henry Calvert, Christina Zwarg
Hermeneutic and Aporia: beyond formalism once more, Finley C. Stephen
Moving on down the line, Hortense J. Spillers
Powers of silence: the case of the clerk's Griselda , Elaine Tuttle Hansen
Solomon Complex: Reading Wisdom in Old English Poetry, Elaine Tuttle Hansen
What, Ron Silliman
Wife of Bath and the Mark of Adam: Feminism as discussed in literature , Elaine Tuttle Hansen
Submissions from 1987
Alexander Hill Everett, Christina Zwarg
Controlling the Dialectical Deacon: The Critique of Historicism in Invisible Man , Kimberly W. Benston
Emerson's "Scene" Before the Women: The Feminist Poetics of Paraphernalia, Christina Zwarg
Lit, Ron Silliman
Mama's Baby, Papa's Maybe: An American Grammar Book, Hortense J. Spillers
Ruskin, Darwin, and the crisis of natural form, Finley C. Stephen
Scott, Ruskin, and the landscape of autobiography, Finley C. Stephen
Speaking for You: the Vision of Ralph Ellison, Kimberly W. Benston
The idea of Japan, 1853-1895 : Japan as described by American and other travellers from the West, John Ashmead
The New Sentence, Ron Silliman
Submissions from 1986
Beauty's just applause: dramatic form and the Tamburlanian sublime, Kimberly W. Benston
Fanny Burney's Epistolary Voices, Julia J. Epstein
In the American Tree, Ron Silliman
Structure of Ruskin's 'Fors Clavigera', Finley C. Stephen
The Age of Huts, Ron Silliman
Writing the unspeakable: Fanny Burney's mastectomy and the fictive body, Julia J. Epstein
Submissions from 1985
Larry Neal : A Special Issue, Kimberly W. Benston
Paradise, Ron Silliman
